{"title":"Colors of the World — Singles (service)","description":"","products":[{"product_id":"deep-blue","title":"Deep Blue","description":"\u003cdiv class=\"long-description\"\u003e\n\u003cp\u003eSome decisions are made by no committee and kept by everybody. The kitchen your grandmother painted yellow because her mother had kept it yellow. The village church repainted the same chalky blue every twenty years and nobody can remember signing off on it. The neighbourhood door colour that started by accident on one house and is now on every door up the road. Nobody chose, exactly. Nobody undoes it either.\u003c\/p\u003e\n\u003cp\u003eIn northern Morocco, a single town has been painting itself versions of the same blue for several generations. Down at street level, the blue is on the steps, on the walls, on the door frames, on the stone troughs holding red flowers and rosemary. A green-painted cart leans against a wall. The shade above the door is cooler than the shade across the street. The blue does most of the work.\u003c\/p\u003e\n\u003cp\u003eGoes well with \u003cem\u003eIn Arabian Nights\u003c\/em\u003e by Tahir Shah, \u003cem\u003eHideous Kinky\u003c\/em\u003e by Esther Freud, or any book read on a stranger's doorstep while you wait for somewhere to open.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Fine Art of Bookmarks","offers":[{"title":"Default Title","offer_id":58112173310336,"sku":"TFAOB-S03-B011","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2346\/9440\/files\/deep-blue-fine-art-bookmark-fine-art-bookmark-cover.jpg?v=1780057035"},{"product_id":"emerald-terraces","title":"Emerald Terraces","description":"\u003cdiv class=\"long-description\"\u003e\n\u003cp\u003eThe garden behind your parents' place looks designed. It isn't. Every plant was chosen by somebody on a Saturday afternoon nobody remembers any more. The kitchen of the house you grew up in is balanced now and it took thirty years of buying one drawer organiser at a time. The bookshelf that ended up by author and then by mood took three rearrangements you cannot fully reconstruct. The pattern was real. The plan was not.\u003c\/p\u003e\n\u003cp\u003eThese tea terraces wrap a high green hillside in southern Asia, the contour lines tightened by hand for the better part of two centuries. Each curve was traced one season at a time by people walking with a hoe. From the air, the result looks like a fingerprint. From the ground, it is somebody's lunch.\u003c\/p\u003e\n\u003cp\u003eReads alongside \u003cem\u003eThe Good Earth\u003c\/em\u003e by Pearl S. Buck, \u003cem\u003ePachinko\u003c\/em\u003e by Min Jin Lee, or any book about land made livable by people who never thought of themselves as designers.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Fine Art of Bookmarks","offers":[{"title":"Default Title","offer_id":58112173343104,"sku":"TFAOB-S03-B012","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2346\/9440\/files\/emerald-terraces-fine-art-bookmark-fine-art-bookmark-cover.jpg?v=1780057038"},{"product_id":"purple-fields","title":"Purple Fields","description":"\u003cdiv class=\"long-description\"\u003e\n\u003cp\u003eThere are colours that are bound to a season. The yellow that means May, the orange that means October, the soft green you only get in a week of April. You can paint a room any of them and you will not actually get the colour. You get a version of it, indoors, in February. The real one waits for the right week, and arrives with the smell of the place it belongs to.\u003c\/p\u003e\n\u003cp\u003eAerial over a Provençal plateau in July, the rows converging on a single point at the top of a small hill. From above the rows look graphic, the way a printer would lay them out. From the ground they smell of warm honey and clean laundry. The colour is not painted on. It is a season, a dry breeze, and an essential oil that takes nine fields of work to fill one small bottle.\u003c\/p\u003e\n\u003cp\u003eSits alongside \u003cem\u003eA Year in Provence\u003c\/em\u003e by Peter Mayle, \u003cem\u003eThe Olive Farm\u003c\/em\u003e by Carol Drinkwater, or any book read with something living within reach.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Fine Art of Bookmarks","offers":[{"title":"Default Title","offer_id":58112173375872,"sku":"TFAOB-S03-B013","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2346\/9440\/files\/purple-fields-fine-art-bookmark-fine-art-bookmark-cover.jpg?v=1780057131"},{"product_id":"terracotta","title":"Terracotta","description":"\u003cdiv class=\"long-description\"\u003e\n\u003cp\u003eThere are landscapes that survive because nothing has happened to them. No rain for a thousand years. No people for nearly as long. The tree that died in the year of a famine nobody alive remembers is still standing. The iron in the dunes is still the colour it was when the trees first dried. Nothing in the picture is going anywhere because there is nothing left here to take it.\u003c\/p\u003e\n\u003cp\u003eA pan of pale clay between dunes the colour of brick, in southern Africa. The trees that grew here are still standing because there has been no weather to take them down. They are not alive. The colour is. Red, white, and the black silhouettes of trees that gave up halfway through deciding to fall.\u003c\/p\u003e\n\u003cp\u003eBelongs in the same shelf as \u003cem\u003eDisgrace\u003c\/em\u003e by J.M. Coetzee, \u003cem\u003eCry, the Beloved Country\u003c\/em\u003e by Alan Paton, or any book read with the awareness of a very long quiet outside.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Fine Art of Bookmarks","offers":[{"title":"Default Title","offer_id":58112173408640,"sku":"TFAOB-S03-B014","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2346\/9440\/files\/terracotta-fine-art-bookmark-fine-art-bookmark-cover.jpg?v=1780057162"},{"product_id":"turquoise-oceania","title":"Turquoise Oceania","description":"\u003cdiv class=\"long-description\"\u003e\n\u003cp\u003eClear water is a liar. The bottom looks half as far as it is. The fish you reach for is twice the distance and probably not interested. Things that look near are far. Things that look small are large. You can swim above a shadow for an hour, thinking it is yours, and find out at sundown it was always the boat's. The water knows. It just does not say.\u003c\/p\u003e\n\u003cp\u003eA southern Pacific lagoon at midday, sand bright beneath, coral patches scattered like spills. You can lie at the surface reading a paperback and watch your own shadow doing nothing on the floor of the sea. The water is around three metres deep. Your senses say less than half that. The fish know better.\u003c\/p\u003e\n\u003cp\u003eA natural fit for \u003cem\u003eThe Sea Around Us\u003c\/em\u003e by Rachel Carson, \u003cem\u003eBeautiful World, Where Are You\u003c\/em\u003e by Sally Rooney, or any book read on a deck where the boat moves an inch every hour against a slack rope.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Fine Art of Bookmarks","offers":[{"title":"Default Title","offer_id":58112173441408,"sku":"TFAOB-S03-B015","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/2346\/9440\/files\/turquoise-oceania-fine-art-bookmark-fine-art-bookmark-cover.jpg?v=1780057163"}],"url":"https:\/\/thefineartofbookmarks.com\/collections\/colors-of-the-world-singles.oembed","provider":"The Fine Art Of Bookmarks","version":"1.0","type":"link"}