What remains is sometimes more interesting than what was lost.
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500gsm · 100% cotton · Hahnemühle Photo Rag · Archival pigment inks · 6 × 18 cm · Matte finish.
Sentinelle di pietra series · 15 of 20 different sets.
Catalogue Nº 075 of 100.
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The friend who is still in your life from a group you no longer see. The recipe your grandmother passed down out of a kitchen that no longer exists. The single sentence you remember from a year-long course you took at twenty. The house plant that survived a winter in which everything else on the windowsill died. Most things go. What stayed got specific, because it was made specific by the surviving.
Vingerklip stands alone in the Damaraland scrubland of Namibia, the last piece of a mountain whose softer rock has been worn off over several million years. From a distance, a finger pointing. From close up, stone. The mountain it was once part of is no longer here. What is left is interesting because of what is not.
A natural fit for Disgrace by J.M. Coetzee, The Heart of the Hunter by Laurens van der Post, or any book read with the awareness of a long quiet outside the window.
Every continent has at least one of these. A finger of stone, a spire, a monolith, left standing by erosion long after the rock around it has gone. From a distance it looks placed on purpose, as if someone had built it to keep an eye on the valley. Closer up, it is older than the country it stands in. The whole thing has been doing the same job for longer than there have been people to notice.
